作者简介

Barnes has been cited as an influence by writers as diverse as Truman Capote, William Goyen, Isak Dinesen, John Hawkes, Bertha Harris and Anaïs Nin. Writer Bertha Harris described her work as "practically the only available expression of lesbian culture we have in the modern western world" since Sappho.
Barnes played an important part in the development of 20th century English language modernist writing and was one of the key figures in 1920s and 30s bohemian Paris after filling a similar role in the Greenwich Village of the teens. Her novel Nightwood became a cult work of modern fiction, helped by an introduction by T. S. Eliot. It stands out today for its portrayal of lesbian themes and its distinctive writing style. Since Barnes's death, interest in her work has grown and many of her books are back in print.

内容简介

The fiery and enigmatic masterpiece--one of the greatest novels of the Modernist era. "Nightwood," Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" ("TLS"). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna--a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction--there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person--a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, "Nightwood" still crackles with the same electric charge it had on its first publication in 1936.


Barnes has been cited as an influence by writers as diverse as Truman Capote, William Goyen, Isak Dinesen, John Hawkes, Bertha Harris and Anaïs Nin. Writer Bertha Harris described her work as "practically the only available expression of lesbian culture we have in the modern western world" since Sappho.

Barnes played an important part in the development of 20th century English ...

下载地址

豆瓣评论

  • 風颭雲
    雖然沒有華麗的詞彙(偶爾的法語和德語),但是大段的人物獨白和作者的旁白(充斥著各種比喻和類比)讓整部小說非常難被深刻的理解。正如T.S.Eliot所說:"only sensibilities trained on poetry can wholly appreciate it"08-28
  • 野次馬
    一本只能重读的小说,医生是Tiresias形象的另一个变体。越过一线黄昏,陷入永夜的兽与丛林。"... will tell you how the day and the night are related by their division.”04-28
  • 梵子
    末世气息,黑暗诗意。幽灵的女人,逡巡于白昼与夜的边缘,最终回到了无意识的、神秘的兽性荒野——反神圣的升华。女漫游者们的爱之冒险,足迹迷狂中,一个反世界的世界枝叶蔓生。05-20
  • shep.endymion
    愿望清单加一,希望能把马修·奥康纳医生的独白看懂一半。目前(自认为)看懂的不到10%挺喜欢01-28
  • Evanescence
    无聊,亏得艾略特还大力推崇,无语。09-09

猜你喜欢

大家都喜欢