作者简介

Andreas Marks is the Director and Chief Curator of the Clark Center for Japanese Art and Culture. He has a masterAEs degree in East Asian art history from the University of Bonn, Germany, and a PhD in Japanese Studies (on a thesis on nineteenth century actor prints) from Leiden University, the Netherlands. As a specialist in Japanese prints, he is an advisor to the San Diego Museum of Art. He has published widely in Europe, the United States, and Japan, and curated several exhibitions on various aspects of Japanese art.
Dr. Stephen Addiss is Professor of Art at the University of Richmond. He is a composer, musician, poet, painter and Japanese art historian, and is the recipient of four grants from the National Endowment for the Humanities and one from the National Endowment for the Arts. He has published thirty-six books or exhibition catalogs, including Old Taoist: The Life, Art and Poetry of Kodojin; The Resonance of the Qin in Far Eastern Art; and The Art of 20th Century Zen.

内容简介

Japanese woodblock prints, or "ukiyo-e," are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, "Japanese Woodblock Prints" provides a detailed survey of all the major artists, along with the images on which their fame rests. Unlike previous examinations of this art form, "Japanese Woodblock Prints" includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for "ukiyo-e" enthusiasts looking for detailed information about their favorite artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.


Andreas Marks is the Director and Chief Curator of the Clark Center for Japanese Art and Culture. He has a masterAEs degree in East Asian art history from the University of Bonn, Germany, and a PhD in Japanese Studies (on a thesis on nineteenth century actor prints) from Leiden University, the Netherlands. As a specialist in Japanese prints, he is an advisor to the San Diego Mu...

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豆瓣评论

  • Cedric
    https://hoasivietnam.files.wordpress.com/2012/11/japanese_woodblock_prints_-_andreas_marks.pdf 另,这书是336页,想修改豆瓣不给过11-20
  • keswickblue
    Well organised, illustrated and annotated. p.10. "They (the woodblock prints) were in fact the joint product of a collaboration between several people, with the publisher in the center. The publisher was the decision maker, supervising the entire production process and marketing the final print." 02-12
  • 风满蜃气楼
    嗷太棒!下次去图书馆刨刨有木有浮世绘【相比之下果然是用色越丰富色彩搭配越妙的越美啊→废话_(:з」∠)_04-07
  • 山野莽夫食细糠
    如若有较好的中文翻译本,会再再看一次。12-09
  • 索拉里斯的妻子
    浮世绘的色彩和画面质感都相当有趣,有辨识度,是一种介于世俗和清高之间的质感,细腻的曲线营造出一种独特的色情、昏沉、慵懒之感,但构图还是普遍凌乱,画面重量缺乏平衡感08-25

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