①城市漫游（历时性）：地理环境如何寄寓战前回忆，Big Ben隐含的时间线索&多视点（共时性）：连结大众注意力的同一事件（aeroplane及钟声），承载众生相的Regent Park；②抵抗时间的两种方式（Clarissa的超验主义观，有限生命向人际与自然延展继而永恒&Septimus以死亡抗拒生活的平庸）；③人际交往中视域的局限与理解的艰难，具体呈现为两种生活态度的龃龉（penetration&respect for the privacy of the soul）；④战争导致的感受力丧失，个人的麻木与遗忘方能维系集体荣誉宏大叙事；⑤莎翁作为正典如何被纳入现代主义叙事（Cymbeline,Othello,Sonnet,Antony and Cleopatra, Richard II）08-11
egg roulette
意外，非常意外。Microcosmic, limited scope, but by all means not overly melodramatic.02-09
thebluepill
She would not say of anyone in the world now that they were this or were that.She felt very young;at the same time unspeakably aged.She sliced like a knife through everything;at the same time was outside,looking on.She had a perpetual sense...she always has the feeling that it very,very dangerous to live even one day.12-02
桑
My second favorite VW so far. “Are we not all prisoners? She had read a wonderful play about a man who scratched on the wall of his cell, and she had felt that was true of life — one scratched on the wall” 12-01
Penumbra
第一遍。喜欢书脊上用Clarissa眼睛的这个意象。对比卞之琳，Woolf对“看“的回环表述，深刻丰富太多：C看对窗老太 "Somehow one respected that -- that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it -- but love and religion would destroy that, whatever it was, the privacy of the soul" 和最后C得知Septimus的死："So she saw it"。Woolf短句冲击力太大了05-07
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