内容简介

Travesties was born out of Stoppard's noting that in 1917 three of the twentieth century's most crucial revolutionaries -- James Joyce, the Dadaist founder Tristan Tzara, and Lenin -- were all living in Zurich. Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

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豆瓣评论

  • 皮皮兔
    ——What of it? I was here. They were here. They went on. I went on. We all went on. —— No, we didn’t. We stayed. They all went on.08-18
  • Pluto&Piaget
    乔、列和Tzara构成三角形:艺术、艺术反思、艺术反思的反思(对,每次反思只折角了六十度),还无限转动下去--那自以为嘲讽一切的transcendence不是正好消亡于虚无运动吗?又恰为古板康德所接起;而有意的列宁格勒式艺术夹在之间。三种立场像跳麦克白开头女巫舞,排斥结合,直到其终极底层的载体,一个庸俗直白,关心战壕、荣誉与裤子面料,接近解构素材的个体本体的记忆混沌里,环形上升且消弭。文学读者的寻宝游戏,limericks, alliteration, (counterfeit) dialectism, (too much of) Oscar fxxkin Wilde, 还有至少两次女性角色对dadaism的正义处决。读到格温和塞西丽齐喊“智识上的区隔怎逾越呀!”我真大笑出声!伟大的苏黎世06-19
  • Lettie
    an intellectual & structural complexity, a harmonious whole05-09
  • kidpt
    Henry Carr的高难度独白颇多 结合现场版观感 A brilliant play!11-11
  • Riri
    TS的剧本好详尽,灯光转场都给你写好了,完全可以当小说看。我对俄罗斯那个时期的历史了解不多,觉得有一点点影响了阅读的体验,但也品尝得到这部剧的精彩,要是能在伦敦碰上这部剧的再排是肯定会去看的(也不知道猴年马月07-28

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