内容简介

This book offers a radically new account of the development and structure of the central arguments of Kant's Critique of Pure Reason: the defense of the objective validity of such categories as substance, causation, and independent existence. Paul Guyer makes far more extensive use than any other commentator of historical materials from the years leading up to the publication of the Critique and surrounding its revision, and he shows that the work which has come down to us is the result of some striking and only partially resolved theoretical tensions. Kant had originally intended to demonstrate the validity of the categories by exploiting what he called 'analogies of appearance' between the structure of self-knowledge and our knowledge of objects. The idea of a separate 'transcendental deduction', independent from the analysis of the necessary conditions of empirical judgements, arose only shortly before publication of the Critique in 1781, and distorted much of Kant's original inspiration. Part of what led Kant to present this deduction separately was his invention of a new pattern of argument - very different from the 'transcendental arguments' attributed by recent interpreters to Kant - depending on initial claims to necessary truth.

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豆瓣评论

  • momo
    当年没看懂,绕过一圈回来重新看,发现Guyer的论证是非常精准而敏锐的。既有对整体论证策略的准确把握,又能到位分析问题以及概念的复杂性,不漏掉任何细节。06-24
  • Ee
    Guyer is mean to Allison……12-03
  • V
    有一种牙牙学语还很叛逆的美02-06
  • Leibniz蛋卷
    Guyer在这本里解释的Transcendental Aesthetic (Ch.16) 实在是太诡异了 (11/02/2024). 理解了Guyer在Aesthetic部分的脑回路,其中讲conditional necessity与absolute necessity 区分的部分(pp.362-369) 其实挺有意思的; 虽然这之前论证subjectivity基于nonspatiality (pp.355-362) 的部分我认为错的挺离谱。(15/02/2024)02-15
  • luffy250
    在最好的康德研究中尤其以分析性批判性见长01-20

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