作者简介

Kojin Karatani was born in Amagasaki city between Osaka and Kobe in 1941.He received his B.A. in economics and M.A. in English literature, both from Tokyo University.Awarded the Gunzo Literary Prize at the age of 27 for an essay on Natsume Soseki, he began working actively as a literary critic, while teaching at Hosei University in Tokyo.In 1975 he was invited to Yale University to teach Japanese literature as a visiting professor, where he became acquainted with Yale critics such as Paul de Man and Fredric Jameson.In the 1980s, he devoted himself to abstract problems concerning "language, number, money", while at the same time committing himself to the political situation by editing the quarterly journal 'Critical Space' with Akira Asada. 'Critical Space' was the most influential intellectual media in Japan until it folded in 2002.From 1990 onward, Karatani has taught regularly at Columbia University. He was also a regular member of ANY, the international architects' conference which was held annually for the last decade of the 20th century.In 2006, Karatani has retired from teaching in Japan. Major books:(English)Origins of Modern Japanese Literature, Duke University Press,1993Architecture as Metaphor; Language, Number, Money, MIT Press,1995Transcritique: On Kant and Marx, MIT Press, 2003(Japanese)Man in Awe, Tojusha, 1972Meaning as Illness, Kawadeshobo, 1975Marx: The Center of Possibilities, Kodansha, 1978Origins of Modern Japanese literature, Kodansha, 1980Architecture as Metaphor, Kodansha, 1983Introspection and Retrospection, Kodansha,1984Postmodernism and Criticism, Fukutake, 1985Philosophical Inquiry 1, Kodansha, 1986Language and Tragedy, Daisanbunmeisha, 1989Philosophical Inquiry 2, Kodansha,1989On the 'End', Fukutake, 1990Collected Essays on Soseki, Daisanbumeisha, 1992Materialism as Humor, Chikumashobo, 1993Thoughts before the war, Bungeishunjusha, 1994Sakaguchi Ango and Nakagami Kenji, Ohta Press, 1996Ethics 21, Heibonsha, 2000Transcritique: On Kant and Marx, Hihyokukansha, 2001

内容简介

在黑格尔主义终结的历史时刻,我们终于第一次迎来了“可以阅读”马克思的时代。

因为,只有卡尔•马克思才是黑格尔所谓“历史的终结”之后的思想家。

《马克思,其可能性的中心》是一部开拓了当代世界思想界新天地的惊世骇俗之作。

在这个差异性和外部性纷纷解体的“全球化”时代,柄古行人通过对马克思价值形态论中“尚未被思考的”方面的解读,发现了马克思思想中“可能性的中心”。

《马克思,其可能性的中心》作者是通过解读马克思文本而恢复马克思本来面貌的思想先驱。

目录:

Ⅰ 马克思,其可能性的中心

序章

第一章

第二章

第三章

第四章

第五章

第六章

终章

Ⅱ 有关历史的问题——哀悼武田泰淳

Ⅲ 有关阶级的问题——地底的世界•夏目漱石试论(一)

Ⅳ 有关文学的问题——漱石和文学•夏目漱石试论(二)

1978年版本后记

致学术文库版后记

译者后译

Kojin Karatani was born in Amagasaki city between Osaka and Kobe in 1941.

He received his B.A. in economics and M.A. in English literature, both from Tokyo University.

Awarded the Gunzo Literary Prize at the age of 27 for an essay on Natsume Soseki, he began working actively as a literary critic, while teaching at Hosei University in Tokyo.

In 1975 he was invited to Yale Uni...

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豆瓣评论

  • Bricoleur
    柄谷把价值理论乃至阶级理论和结构语言学理论联系起来的方法极具启发性,也确实是接着马克思的劳动价值论去阐发而避免了《资本论》中的一些局限性。用“系统之差”带来的“不是等价交换的等价交换”来解释剥削也非常有启发,尽管细节上似乎还是有些草率了。总之,读完《资本论》,并且对价值规律的单一决定论有一些怀疑的话,非常合适继续啃这本(相比三卷大部头这小册子可不算难)04-30
  • 似乎又
    马克思经典作为能阅读、挖掘出(尚未被思考)的“新的可能性”的中心;“《资本论》的卓越之处,并不因它暴露了资本主义生产的秘密,而是在于马克思对这种极为不稀奇、极为平凡的商品之‘极其奇怪’性质所感到的惊讶”(p.7)。马克思批判古典经济学;早期、晚期马克思;transcritic-跨越性批判03-01
  • 松果腺
    “中田友美”是谁?译者当如此!12-12
  • 无虞
    柄谷行人对马克思的阅读,尤其是对他政治经济学批判的理解,视角是非常“万花筒”的,时而索绪尔,时而康德,时而尼采,时而弗洛伊德,同时用马克思去反射他们。深有启发的是1被同一性掩盖或压抑的差异性才是本质性的差异;2马克思所有的研究都是回到这个问题被意识所压抑的无意识语境;3马克思要指出,经济不仅不是物质的,甚至是一种幻想的形态;4使正常成为可能得条件,同时也使反常成为可能;5意识形态是真理的意识,即只靠客观性才得以存在,因此意识形态不如说是物。08-18
  • יוֹחָנָן
    柄谷行人的起家应该就是这本书和《日本现代文学的起源》,一脉是马克思,一脉是解构主义。不过柄谷的马克思仍然具有相当程度的解构色彩,他使得文本和现实之间的区隔被打开,试图回答为什么抽象能够在个体之中被建立,尤其是价值是如何被建立起来的。根本上是因为他性的存在,也凭借着征服他性而存在,资本的秘密本身就在这里,不能在流通中产生又必须在流通中产生。12-25

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