内容简介

From the first time a record was played over the airwaves in 1906, to a modern club economy that totals $3 billion annually in New York City alone, the DJ has been at the center of popular music. Starting as little more than a talking jukebox, the DJ is now a premier entertainer, producer, businessman, and musician in his own right. Superstar DJs, from Junior Vasquez to Sasha and Digweed, command worship and adoration from millions, flying around the globe to earn tens of thousands of dollars for one night's work. Increasingly, they are replacing live musicians as the central figures of the music industry. In Last Night a DJ Saved My Life, music journalists Bill Brewster and Frank Broughton have written the first comprehensive history of the mysterious and charismatic figure behind the turntables -- part obsessive record collector, part mad scientist, part intuitive psychologist of the party groove. From England's rabid Northern Soul scene to the birth of disco in New York, from the sound systems of Jamaica to the scratch wars of early hip-hop in the Bronx, from Chicago house to Detroit techno to London rave, DJs are responsible for most of the significant changes in music over the past forty years. Drawing on in-depth interviews with DJs, critics, musicians, record executives, and the revelers at some of the century's most legendary parties, Last Night a DJ Saved My Life is nothing less than the life story of dance music.

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豆瓣评论

  • 少年A
    以dance music的发展为脉络,DJ的身份演变为主线,在文化维度上多角度叙述了锐舞运动背后的主要推手(黑人青少年/同性恋/酷儿/药物文化/社会政治/海盗电台等)对舞曲场景的建构,在音乐维度上也明晰地阐释了电子舞曲作为一种音乐流派的发展历程,一些曾经含混的地方如:牙买加sound system 对US Hiphop和UK Sounds的共同启发;底特律Techno与欧洲Techno的相互辐射;British Bass的血脉衍生(from Jungle to Grime)都梳理得条分缕析。总的来说是一本非常适合热爱电子舞曲文化人士的入门通识读本。10-06

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